Vatiswa Ndara Biography| Real Name, Age, Family, Career, Awards, Attempted Suicide
Vatiswa Ndara is a renowned South African actress known for her versatility, talent, and contributions to the entertainment industry. With a career spanning decades, she has made a significant impact in the realms of television and film, earning accolades for her performances and captivating audiences with her acting prowess.
Vatiswa Ndara was born on the 28th of September 1970. As of 2023, she is 53 years old.
She was born in Middelberg which is located in the Eastern Cape province. Not much information is known about her family as she likes to keep her personal life private. She, however, is divorced and has 1 child.
Vatiswa’s career in the entertainment industry started with her role as a news reader and compiler at Radio Transkei. She then moved on to work for esteemed radio stations like Radio Bob, Kaya FM, Metro FM, Highveld Stereo, and 5FM. Her talent and dedication were evident, and she was soon offered the coveted role of Ma’mfundisi on the popular South African TV show Generations.
From there, Vatiswa’s career skyrocketed as she went on to portray diverse characters in a range of TV shows including Gaz’lam, Nomzamo, Home Affairs, Tsha Tsha, and Society. She even made her mark in the South African film industry with her appearance in the critically acclaimed film Salvation.
However, it was her iconic role as the conniving and cunning NomaRussia in the TV show IGazi that truly made her a household name. Despite her convincing performances as these morally ambiguous characters, Vatiswa has always maintained that she is not her on-screen personas and that she is a good-hearted person in real life.
Unfortunately, due to the nature of acting, Vatiswa has faced unfair assumptions from some people who automatically assume that she must be like the characters she portrays. However, Vatiswa has remained resolute in her stance, asserting that she is an individual separate from the roles she plays, and she is committed to using her talent to bring diverse characters to life on screen.
Vatiswa’s journey in the entertainment industry is a testament to her versatility and talent as an actress, and she continues to captivate audiences with her performances while challenging stereotypes and misconceptions about actors and their real-life personalities.
- Home Affairs
- Shooting Stars
- 90 Plein Street
- Ihawu le Sizwe
- Tsha Tsha
- Salvation (2019 film)
Vatiswa’s accolades and achievements in the entertainment industry are numerous and commendable:
- In 2006, she was honoured with the prestigious SAFTA (South African Film and Television Awards) award for Best Supporting Actress, becoming the recipient of the inaugural award in this category.
- From 2008 to 2009, Vatiswa was selected as a distinguished juror for the International Emmy Awards. She served as a judge in the esteemed category of Best Performance by an Actress, showcasing her expertise and recognition in the global television industry.
- In 2016, her exceptional talent was once again acknowledged as she received a nomination for Best Actress in a TV Comedy category at the SAFTA Awards, reflecting her versatility in different genres of television.
- In 2017, Vatiswa was honoured with DStv’s inaugural Mzansi Viewers’ Choice Award for Favourite Actress, a testament to her popularity and recognition among viewers.
- Vatiswa’s accomplishments and recognition throughout her career highlight her outstanding contributions to the entertainment industry and showcase her talent, skill, and dedication to her craft.
Sexual Harassment & Attempted Suicide
Vatiswa courageously shared her harrowing experience of sexual harassment during an interview on Kaya FM. She revealed that she was harassed by an unnamed individual at the SABC, which prompted her to file a complaint. However, the aftermath was devastating as doors were closed in her face, her freelance work was withdrawn, and she was even barred from entering the SABC Africa offices. As a result, a potential work opportunity at Generations fell through, plunging her life into turmoil.
Feeling overwhelmed and hopeless, Vatiswa found herself in a dark period of her life. She recalls planning her own tragic end, leaving money for her son and consuming a dangerous concoction of pills, J-fluid, Handy Andy, methylated spirits, and Jik. Despite falling terribly sick, she delayed seeking medical help and instead tried to regain her strength by drinking hot water.
Months later, Vatiswa eventually sought medical attention and gradually overcame the physical and emotional toll of the ordeal. She had been driven by the desire to provide for her family, and the heartbreak of not being able to do so had taken a tremendous toll on her. However, she has since emerged from the darkness and is in a better place now.
Vatiswa Ndara’s Open Letter
In 2019, Vatiswa caused such a stir after she penned a powerful and candid open letter to former Minister of Sports, Arts & Culture Nathi Mthethwa shedding light on her personal experiences as an actress and accusing Ferguson Films, the production house she was employed by, of exploitation.
In a no-holds-barred six-page letter that she shared on Twitter, Ndara implored the Minister to intervene in cases where actors are not being paid their rightful dues, using her own encounters with Ferguson Films.
Vatiswa who got blacklisted from the industry after trying to leave one of Ferguson’s productions, Igazi, recounted her distressing experiences in the entertainment industry. She outlined the mistreatment and exploitation she allegedly faced at the hands of Ferguson Films, whose owners are power couple Connie and the now late Shona Ferguson. Ndara claimed that she was not adequately compensated for her work, citing unfair contracts, low pay, and unrealistic working conditions that left her physically and emotionally drained. She also raises concerns about the lack of industry regulations and protection for actors, especially those who are not well-established.
In response to the explosive letter, the Fergusons denied Vatiswa’s exploitation claims.